Commentary on John Donne's 'The Flea'

On the most basic of trains, Donne?s ?The Flea? can be testify as a witty and persistent travail to net income over a resisting say-so reverer. However, beneath this naive root word of the poem lie interesting ideas and concepts that go hand-in-hand with what one would turn out from the man whom Samuel Johnson describe as a ?metaphysical? poet. compose at the cusp of the Renaissance, Donne?s rejection of the old Elizabethan inn and conventions is projected through something as simple as the bearing cycle of a unmixed flea. Though writing rough this insect was a dapper contemporary theme, Donne was unique in his treatment of such a topic, converting ?the flea? from a creature commonly used to convey salacious and jocose descriptions about the effeminate body, to a frontage for a poem with an interesting level of questioning social issues. development the flea and the woman to whom the speaker is addressing to salute his conflicting views of sexuality, women, morali ty and religion, Donne presents the reader with a poem that is not only witty and enjoyable to read, but highly unveil of Donne?s status as a Renaissance poet and the issues with which he was grappling at the time. Revolving close to the union of two potential lovers, ?The Flea? could, in theory, be described as a love poem.

However, as a poet heavily influenced by the Renaissance, Donne was questioning the really notion of love, rejecting the idealised aestheticism that had been commonplace in the Elizabethan courts. Whilst prior poetic tradition revolved around worship of the female through Petrarchan sonn ets and flowery imagery, in ?The Flea? Donne! refrains from adopting an embellished, mystical approach to the dealing between man and woman, kind of focusing on the exploit of sex itself. ?how little that which g-force deniest me is / me it... If you want to get a full essay, order it on our website: OrderCustomPaper.com

If you want to get a full essay, visit our page: write my paper