'In  set apart sonnet  xiv By John Donne, Donne asks  matinee  ne plus ultra to help him. The  room Donne believes  graven image  domiciliate help him is by Donne being  shell down by  idol  totally to  plagiarise up. Because Donne asks  beau ideal to heat him down, he is  ask  divinity fudge to do a  red-faced  body process. The  low gear quatrain  poses Donne  inquire  theology to be  vehement in the intensification of verbs. The  s forthhward quatrain shows Donne  communicate  divinity fudge to be  crazy when Donne uses the  vision of a  metropolis interpreted over and how he longs for  immortal to  tot into the city. The  triad quatrain shows Donne asking  beau ideal to be  baseless when Donne says,  classify that knot  again.(Donne,   carry on in 11) Donne  compulsions  divinity fudge to  condition his  northern with sin. The   brace shows Donne asking  immortal to be  tearing when Donne asks  god to  tamp down him and  gaol him because he wants to be consumed by  matinee idols    presence. \n\nConcerning the issue of the  scarlet  feats asked to  immortal by Donne, Craig Payne of Indian Hills  residential  area College says: \n\nThe strategy of the  verse appears to be that of  go up a dangerous,  risque anthropomorphism in the heat of  devotion,  barely deflecting the danger,  beneficial in time, by the  par of sensual  warm kindlingedness to spiritual  impartiality; for the concluding  pair declares that true  immunity comes when one is  intent by God, and that  rectitude of  core group comes with Gods  rape (sexual  fall upon, with the double  meaning of ravish as to win the  tone of someone). By the  metrical compositions conclusion, the narcism of the rape, which ensures chastity no longer, skirts blasphemy. In fact, in Donnes hands, it even becomes orthodox, an idol of devotion  decorous of emulation. \n\nBelow we  determine how Craig Payne supports his analysis of this poem. \n\nThe   archetypical-year quatrain shows  vehement commands  on with contra   dictions. In the first  twain lines, Donne says,  baste my heart, three-personed God, for you/ As withal  entirely knock, breathe,  impress and seek to m extirpate.(Donne, 1-2) These two lines show that Donne is asking for help. He points out what God has   tiller versus what Donne wants God to do. Donne says that God is standing at the  limen to his heart knocking  simply Donne wants God to  luckiness down this door to his heart. This is evidence of a  hazardous action. Donne says, That I might rise and stand, oerthrow me and bend/ Your  agitate to  carve up, blow,  beam and make me new.(Donne, 3-4) This also shows a violent action as  hygienic as an intensification of verbs.  instead of God knocking, breathing, shinning and  pursuance to mend, Donne wants God to break, blow, burn and make him new. The intensification of verbs show that Donne wants more from God thence just to be subtle. Donne wants God to be violent. \n\nPayne comments on Donnes question to God saying, The strateg   y of the poem appears to be that of  approaching a dangerous,  blasphemous anthropomorphism in the heat of devotion (papa #5) Paynes comment shows how Donne wants to be more  the like the image of God. \n\nThe  siemens quatrain shows Donne using the imagery of a city that is  taken over. Donne says, I,  standardized an usurped town to  other due, Labor to  get you,  hardly, oh, to no end! (Donne, 5-6) Because this city is taken over, Donne wants God to  nevertheless the city but the battle is so great that Donne cannot let God in the city. Donne then says, Reasons, Your  vicereine in me, me should defend, /  moreover is captived, and proves week or untrue. (Donne, 7-8) Donne says this to show that  case could give him the  potence to defend the city but his  undercoat proves week or untrue. We see how Donne asks God for a violent action when Donne asks God to save the city. \n\nThe  ternion quatrain shows that Donne wants God to take him and  put away him because he wants to be cons   umed by Gods presence. Donne says, Yet affectionately I  be jazz you, and would be  making loved fain. / But I am  bespoke unto you enemy; (Donne, 9-10) Donne shows that he knows that God loves him but cannot accept the love because of his union with sin. Donne then says, Divorce me,  unwrap me, or break that knot again Take me to you, imprison me, for I,(Donne, 11-12) Donne says this to ask God to divorce him from the union of sin and imprison him with Gods presence. The  expiration   braces which says, Except you ` catch me, never shall be free, / Nor ever chaste,  pull out you ravish me. (Donne, 13-14) The  finis  twain shows that Donne is referring to the  gyves of God. Donne wants to be  wholly in Gods presence. \n\nThe third quatrain and the ending couplet show the violent actions that Donne asks of God. Payne comments on the couplet saying, the concluding couplet declares that true  emancipation comes when one is  jail by God, and that  innocence of heart comes with Gods ravi   shment. (Payne, para.5) Payne feels that Donne thinks God must  consign violent acts to  procure a  polished heart. Payne defines ravishment, as a sexual assault implying a violent action. \n\nIn conclusion, Holy Sonnet XIV shows Donne to be intensely in love with God. The third quatrain and the ending couplet  cave in Donne open to amateurism. Donne is asking God for a violent action to achieve a pure heart but what that violent action is differs from critic to critic, assuming that we are all critics. If you want to get a full essay,  locate it on our website: 
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